Screen Culture Journal No. 4 – 2018
Editors
Nicole Diroff
Joseph Kelley
Holly Nellis
Kelsie Schueneman
Andrew Sweet
Troy Walker
What Lies Within: The Grotesque in Early Horror and the Fear of the Other Side of Humanity by Katherine Purvin
The Star Image of Gene Kelly by Holly Nellis
Bette Davis: Commodifying the Feminine by Aimee Ginez
Hitchcock: Depicting Homosexuality in Rope by Troy Walker
Love, Money, and An Unnamed Procedure: Frank Borzage’s Bad Girl by Andrew Sweet
Is Detroit a Cinema Desert? by Lauren Corneliussen
The Rise of Movie Palaces During the Silent Era by Kristina Cunningham
Scene Analysis: Subversion of Gender Roles in The Double Life of Veronique by Kelsie Schueneman
The “Utterly Impossible” Story of Blonde Venus by Rachel Sarasin
Real Monsters and Real Disgust: Comparing Reception of Freaks and Frankenstein by Nicole Diroff
Queer Christina: The Representation of LGBT Characters in Pre-Code Era Films by Bushra Varachia