Screen Culture Journal No. 5 – 2019
Editors
Nicole Diroff
Amanda Ibrahim
Dani Parker
Kelsie Schueneman
Andrew Sweet
Scarface: The Effects of its Censorship by Katie Colwell
The Cinema-Truth of Primary by Andrew Sweet
Class and Organized Crime in the Era of the Production Code by McKenzy Woodworth
Hollywood Prefers Blondes by Kelsie Schueneman
Spartacus and the End of the Blacklist by Madeline Theodoroff
Scopophilia and Spectacle: The Pleasure of Looking at Chicago by Rachel Sarasin
Technological Success, Emotional Failure: Civilization And Unhappiness in There Will Be Blood by Bushra Varachia
Female-Driven Films: The Reception and Impact of Rough Night by Sheridan Nunnery
Queer Cinema: Hegemony and Ideology in Call Me By Your Name by Troy Walker
The Phenomenon Of Kimi No Na Wa by Zakary Wilkins
Patterns for Clarity, Narrative for Style: An Analysis of Eternal Sunshine of the Spotless Mind by Dani Parker
Classifying a Film as Noir Through Themes by Amanda Ibrahim
Shifting Deceptions of Mental Illness in Film by Haley Spencer
Scarface and the Italian by Angela Peticca