Issue No. 5

On Dragons and Ideals by Katherine Purvin

Scarface: The Effects of its Censorship by Katie Colwell

The Cinema-Truth of Primary by Andrew Sweet

Class and Organized Crime in the Era of the Production Code by McKenzy Woodworth

Hollywood Prefers Blondes by Kelsie Schueneman

Spartacus and the End of the Blacklist by Madeline Theodoroff

Scopophilia and Spectacle: The Pleasure of Looking at Chicago by Rachel Sarasin

Technological Success, Emotional Failure: Civilization And Unhappiness in There Will Be Blood by Bushra Varachia

Female-Driven Films: The Reception and Impact of Rough Night by Sheridan Nunnery

Queer Cinema: Hegemony and Ideology in Call Me By Your Name by Troy Walker

The Phenomenon Of Kimi No Na Wa by Zakary Wilkins

Patterns for Clarity, Narrative for Style: An Analysis of Eternal Sunshine of the Spotless Mind by Dani Parker

Classifying a Film as Noir Through Themes by Amanda Ibrahim

Shifting Deceptions of Mental Illness in Film by Haley Spencer

Scarface and the Italian by Angela Peticca