All posts tagged: silent era

The Rise of Movie Palaces During the Silent Era

Following the rise of the film industry in the early twentieth century, the Movie Palace became the primary manner in which motion pictures were showcased. Several factors, most notably America’s booming economy and heavy investments in the film industry, led to the rise of the Movie Palace. These were more than just buildings that presented films; they were designed in ways to attract large audiences who could enjoy a night of elegance away from their realities and could make going to the movies a remarkable event. The Movie Palace era is thought to have started with the opening of the Regent in New York in 1913, and lasted until around 1930, with its peak being in 1920.[1] However, before the introduction of the Movie Palace, the very first type of film exhibition was the Nickelodeon, which was a small viewing house that showed short films for only a nickel per admission. Nickelodeons were an extremely popular form of entertainment from 1905 to around 1912,[2] and attracted nearly twenty percent of the nation’s population at its …

Kristina Cunningham recently graduated with a Bachelor of Arts from Oakland University, with a Major in Cinemas Studies and a Minor in Communications. She currently works at Vera Bradley, and is planning to pursue a career in film and television production. Kristina enjoys traveling and hopes to explore Europe and Australia in the coming years. She also loves animals, and if she spots a dog she will drop everything to run and pet it.

The King of the Swashbuckler: Errol Flynn and His Early Screen Persona

The dashing, daring Errol Flynn was certainly not Hollywood’s first swashbuckling hero. Douglas Fairbanks Sr. originated the swashbuckler type in the silent era, starring in films such as The Mark of Zorro (1920) and Robin Hood (1922), but Flynn would go on to establish his own distinct and definitive hero, particularly in the historical action films of his early career. While his films are still significant, Errol Flynn as the ailing, troubled figure of his tragic later years pervades the public’s understanding of him today. A common belief posited by actor Christopher Lee in the 2007 documentary Tasmanian Devil: The Fast and Furious Life of Errol Flynn, asserts, “[Flynn’s] films are the least interesting thing about him.” It was his films however, that captured the public’s attention and fascination in the first place; his image and persona augmented by Warner Bros. construction of his real-life adventures.  It was those real life experiences and Flynn’s adventurous spirit that were used to the studio’s advantage to add a larger-than-life air to his films. Were his films not …